(Really) Great Lost Films of the 70s: An Occasional Series

posted July 13, 2009 5:00 AM

american hot wax poster.jpgOkay, perhaps "lost" isn't exactly the right word; maybe "willfully mislaid" would get it more precisely. Still, what else would you call a major studio release of the 70s, a film with a positive critical reputation and a bigger than some cult following (and one that generated a best-selling soundtrack album fer crissakes) -- and yet it has never been available on home video, either on tape or DVD?

Missing in action, maybe?

In any case, I'm referring to director Floyd Mutrux's 1978 near masterpiece bio-pic on the life of pioneering 50s rock deejay Alan Freed -- the incomparable American Hot Wax.

american hot wax tim mcintire.jpg
Short version: The film portrays a week in the life of the deejay as he prepares to stage an all-star rock 'n' roll show at the Brooklyn Paramount Theater in 1958. Freed is played, heartbreakingly and brilliantly, by the late and incredibly great Tim McIntire, an amazing actor who died way too young in 1984; apart from this role, he's probably best remembered for his hilarious and sardonic work as the voice of the mutant telepathic dog opposite the young Don Johnson in the sci-fi cult classic A Boy and His Dog. Chuck Berry and Jerry Lee Lewis are among the 50s rock giants who play themselves; the rest of the cast is rounded out by SNL star Larraine Newman as an aspiring Carole King-ish songwriter (the wonderfully monikered Teenage Louise), a pre-Nanny Fran Drescher as Freed's put-upon secretary, and a pre-almost everything Jay Leno as Freed's perennially horny chauffeur.

The film takes some historical liberties (the most hilarious involving Berry doing the concert for free after the IRS, out to get Freed by any means possible, seize the gate receipts), but it's very sharp on the not so veiled racism of the period and IMHO there has never been a movie that captured the excitement of a nascent cultural and musical moment as vividly as this one; most everybody in the film positively lives and breathes music, even the pizza delivery boy played in a cameo by the then teenaged Cameron Crowe, and I can't imagine anybody failing to get caught up in it, even the kind of grinch for whom first generation rock and r&b is the esthetic equivalent of root canal.

Here's a little scene from the beginning of the concert sequence. Note the amazing Screaming Jay Hawkins, in full mau-mau gear, as himself at the end . Really, as Nick Tosches famously observed, and to think people thought a wimp like Alice Cooper was scary fifteen years later.

And here's the film's second most touching moment -- wonderful kid actor Moosie Drier as Artie Moress, president of the Buddy Holly fan club, telling Freed just how Holly's music changed his life on the anniversary of Buddy's death.

Seriously, if that bit doesn't get to you, you really need to have it looked at.

In any case, as I said up top, the film has never been available either on VHS or DVD, and I just learned, via Amazon, that the double LP soundtrack album (one disc well chosen vintage 50s oldies, the other disc live stuff from the concert sequence) has never been on CD either.

I can only speculate on how such a cultural tragedy -- and I think it is one -- came to pass, but it seems most likely that it has something to do with the myriad of music clearances that would have to be renegotiated (there are something like forty songs and/or old records involved) in order to get the thing out into the public sphere again. I'm told that producer Art Linson dicusses the film's fate in his recent memoir What Just Happened? Bitter Tales From the Hollywood Front Lines, which is available here, but I haven't read it yet, so I'll get back to you on that.

In any case, if you hear of a showing of this on a cable channel any time soon -- pounce.

Oh, and one more thing -- an old bud of mine was a second A.D. on the picture, and he told me that at least one sequence was cut from the final version of the concert -- none other than future E-Street Band member Nils Lofgren as Ritchie Valens. Singing La Bamba several years before Lou Diamond Phillips lipsynched Los Lobos in the Valens biopic of the same name. What I wouldn't give for a boot of that one, obviously...

13 Comments

Cousin Kevin said:

I saw this in the theaters back in the day and it's as good as you say. Funny, touching, and the music is for want of a better word thrilling.

July 13, 2009 6:10 AM

drano said:

Wow.
That Art Linson book sounds like must-read also.

July 13, 2009 6:27 AM

bill buckner said:

Ah, a rock 'n roll film of mine youth - thanks, Steve! (Also remember liking "The Idolmaker" with Ray Sharkey, but have no idea how it would hold up today...)

July 13, 2009 6:48 AM

steve simels said:

Bill -- The Idolmaker, Sharkey's bravura performance notwithstanding, has always been problematic for me. A film about late 50s/early 60s rock with an 80s soundtrack? A tad inauthentic on the conceptual level.

Like I said, for me, anyway.

July 13, 2009 6:51 AM

BlakNo1 said:

Saw this at the Sack Charles in Boston the week it came out. Mom was insistent that this would be the weekend movie and, fortunately, I was a smart enough kid not to argue.

July 13, 2009 7:43 AM

dave™© said:

Saw this when it played the theaters! For some reason, I actually knew who Leno was at the time. But I had no idea that Nils Lofgren was in it! Gotta check it out again...

July 13, 2009 10:04 AM

Steve Simels said:

Just to be clear -- the Lofgren performance was as they say left on the cutting room floor. Not in the movie. If Paramount ever gets it together to get this on DVD maybe they can restore it in a director's cut.

July 13, 2009 10:08 AM

Roadmaster said:

Interesting timing:

The movie is set in '58/'59; Freed died in 1965 (6-7 years after the setting).

Tim McIntire filmed his role in '77-'78 and died in 1984 (6-7 years after the filming).

Cue the theramin.

July 13, 2009 10:21 AM

Allan Rosenberg said:

My all-time favorite fictional rock & roll movie.

My guess as to why it's never been out on videotape or DVD is getting the musical rights for DVD and tape have proven impossible to secure.

July 13, 2009 7:17 PM

DF said:

I remember this fondly, too. Steve, what's your take on "Grace of My Heart"?

July 14, 2009 12:00 AM

Nigel Tufnel said:

Steve, I have a copy of "American Hot Wax" on a Betamax tape. I'll see what I can do about digitizing it and uploading the whole shebang to YouTube, since there seems to be only a handful of clips on there now.

I haven't watched it in ages, but you're right--it's one of those chill-inducing films that captures the spirit of late 50s rock'n'roll by featuring artists like Berry and Lewis who were still (almost) young enough to play their 20-years-previous selves.

Another one I've always liked is "The Wanderers" from 1979 (directed by my fave Philip Kaufman), especially the scene at the very end where Ken Wahl's Richie walks into a Village dive and sees Dylan onstage--and realizes that the world he knows (greasers, doo-wop and white tee-shirts) is about to come to an end.

July 14, 2009 10:41 AM

Mike said:

I'm really fond of the movie. The best bits -- the live music sequences, the actual Frankie Ford -- are so great that they overshadow the less realistic bits, most notably the idea that Chuck Berry would play for gratis.

Remember: five "doms" and a "dombee dooby".

July 14, 2009 11:20 AM

steve simels said:

Nigel:

If you can get that up on YouTube, you would be my personal hero.

Incidentally, I forwarded the piece to Mutrux; haven't heard anything yet, but if I do I'll post it.

July 14, 2009 11:40 AM

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