Weekend Cinema Listomania (Special It's a Small World After All Edition)
posted September 25, 2009 4:18 AM
Video Event of the Week: Is it Wallace and Gromit: A Matter of Loaf and Death, a new 30-minute episode in Nick Park's ongoing and hilarious animated series, from Lyons/Hit Entertainment? Might Paramount's new Blu-ray set of Star Trek: The Next Generation Motion Picture Collection, with all four TV movie spin-offs starring Patrick Stewart make the cut? Or, bucking the current teen vampire trend, might John Landis' gleefully gory and funny An American Werewolf in London, now upgraded for both disc formats by Universal, conceivably be The One?
All worthy, to be sure, but for my money it's got to be Sony's DVD of Sugar, the 2008 Sundance fave about a Dominican baseball player trying to make it to the major leagues and pull himself and his family out of poverty, which I inaccountably missed when it came out beginning of the month.
The film tells the story of Miguel Santos (Algenis Peres Soto), a gifted small-town pitcher with a wicked knuckle curve who gets scouted by the fictional Kansas City Knights and packed off to play in the minors in Arizona. Ultimately, however, the culture shock he experiences becomes more than he can handle and he becomes increasingly alienated, ending up in New York City where he has to learn to fit into yet another world, but without the game and the attendant dream to fall back on.
I don't want to oversell the picture; it's ultimately a bit slight, and although writer/directors Anna Boden and Ryan Fleck made a smart choice when they decided to focus on one of the countless Dominican player wannabes who doesn't make it as a béisbol star it's not like you haven't seen something like this before. Still, both the sports and Dominican immigrant milieus feel completely authentic, and Soto (a real-life shortshop who makes a totally convincing pitcher) is, you should pardon the expression, a natural, in both the game scenes and off the field; the fact the film is as genuinely affecting as it is is largely down to him.
Here's a couple of scenes to give you an idea of Sugar's unassuming charm.
Sony's video transfer is first-rate; reasonably interesting bonuses include some deleted scenes, the theatrical trailer, an interview with Soto about the casting process, and a fun mini-doc on real Dominican players featuring interviews with David Ortiz and Pedro Martinez.
In any case, you can -- and should -- order Sugar here.

Okay, that said, and because things will doubtless be fairly quiet around here for the next few days, here's an obviously relevant and hopefully amusing little project for us all:
Most Memorable Film About the Heroic Struggle of the Little Guy Against the Odds!!!
And my top of my head Top Five is:
5. Rocky (John G. Avildsen, 1976)
It's too bad about the sequels (actually, the most recent one isn't bad), but this is a near perfect little film -- a lovely fairy tale that cons you into believing it's a piece of gritty urban realism until almost the last minute. If Stallone had come along twenty years later and made this we'd be hailing him as some kind of indie genius.
4. Erin Brockovich (Steven Soderbergh, 2000)
A pair of impressive boobs (Julia Roberts) and eyebrows (Albert Finney) take on evil corporate polluters and win big time. The fact that it's a true story is just the icing on the cake.
3. Meet John Doe (Frank Capra, 1941)
Out of work ballplayer Gary Cooper goes up against a power mad corporate/fascist bad guy (Edward Arnold, doing his best Dick Cheney imitation). Surprisingly pertinent stuff even now, but we still say he should have jumped.
2. Seabiscuit (Gary Ross, 2003)
A horse is a horse, of course of course. Except in this case, when he's the ultimate come-from-behind underdog.
And the numero uno screen paean to the little guy within all of us quite obviously is...
1. Even Dwarfs Started Small (Werner Herzog, 1970)
For obvious reasons, obviously. Sorry I couldn't find the scene where they crucify the monkey.
Alrighty, then -- what would your choices be?
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Steve Simels has written about music and movies for Sound and Vision magazine (formerly Stereo Review) since the early 70s. He has also contributed to Entertainment Weekly, TV Guide and the Wall Street Journal. He’s the author of “Gender Chameleons: Androgyny in Rock n Roll” (Arbor House, 1985), and blogs at PowerPop.blogspot.com. His ambition in life is to play the Leslie Howard role in a remake of “Petrified Forest.”

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Gummo said:
For me the even more relevant Capra -- tho' overwhelmingly obvious -- is Mr. Smith Goes to Washington.
Interesting to note that conservatives howled for blood when that movie came out, accusing Capra of showing the USA in a horrible, corrupt light.
Of course it was a huge hit the world over, shown over & over again in some countries just before the fascists took over & shut it down (of course I only have that from Capra's auto-bio which is infamously self-serving & self-promoting, so...).
September 25, 2009 4:30 AM
Sid Sherman said:
Claire Booth Luce -- author of "The Women" and husband of Time/Life Henry -- said the exact same thing when "Blackboard Jungle" was shown at Cannes.
How dare that Commie Richard Brooks show the US in an unfavorable light -- didn't he know there was a Cold War on?
Those people never change....
September 25, 2009 4:50 AM
The Kenosha Kid said:
Breaking Away, of course
District 9 ?
September 25, 2009 6:51 AM
ninotchka said:
z-serpico- the converstion
September 25, 2009 6:54 AM
Gwen De Marco said:
I second "Breaking Away."
And there's a certain movie about a bunch of tv actors who are mistaken for real space superheros and wind up living up to the fantasy ... what was it called? The name escapes me ...
(Yes, I'm kidding. "Galaxy Quest.")
September 25, 2009 9:34 AM
kurt b. said:
Definitely numbers 1, 3 & 4 on the Simels list. Can't believe no one has posted a clip on youtube of the monkey crucifixion parade scene in "Even Dwarfs...."
"The Incredible Mr. Limpet" hits on all three counts. No one is more of a little guy than Don Knotts. His character undergoes a heroic struggle to save the U.S. Navy. And, of course, the odds of anyone turning into an animated fish are pretty staggering.
Gummo: Just finished re-reading parts of the Joseph McBride bio on Capra (published by Faber & Faber). It's pretty fascinating and worth checking out.
September 25, 2009 9:34 AM
Brooklyn Girl said:
Paul Newman in "The Verdict."
September 25, 2009 9:36 AM
Martin said:
Buster Keaton's The General (and pretty much his whole feature output).
Charlie Chaplin's Modern Times
So many in the last 100 years my mind is blanking;>
September 25, 2009 11:06 AM
ms. rosa said:
Norma Rae
Matewan
The Client
My Body Guard with Chris Makeout. I mean Makepeace.
HOLY MOLE! New Wallace and Grommit?! An American Werewolf in London?!?! Rev up the air popper and get out the popcorn salt!! We ain't leavin' the house!
September 25, 2009 11:29 AM
Noam Sane said:
Crimes & Misdemeanors. The last scene slays me every time. Maybe his best? Top 3 for sure.
I have to admit that Deconstructing Harry came to mind first, though.
September 25, 2009 11:34 AM
Culture of Truth said:
* Rudy
* The Grapes of Wrath
* Hoosiers
* Star Wars
* All the President's Men
* My Cousin Vinny
* Flash of Genius (I never actually saw it, but I heard it was good)
September 25, 2009 11:40 AM
Jeff said:
La chienne - The Lang remake (Scarlet Street) is good, but it's heavier and removes the splendid ambiguity from the Renoir original. The final scene, when a happy Michel Simon runs forward to catch the money blowing up the street, says it all.
Galaxy Quest and Breaking Away are both favorites. And Sugar was lovely, a welcome recovery from the dreary Goodbye, Solo, seen just several days prior.
September 25, 2009 12:13 PM
Mrs. Peel said:
"Bottle Shock" ... a Rocky story, only with wine.
September 27, 2009 2:47 PM