When Stupid Movies Happen to Great Actors: An Occasional Series
posted September 8, 2009 5:17 AM
Caught the trailer for the forthcoming Robert De Niro flick Everybody's Fine yesterday at my neighborhood Hell Octaplex. Actually, I was there to see the Mike Judge comedy Extract, about which more later this week -- suffice it to say, I mostly thought it was droll and that SNL star Kristen Wiig contributes a particularly memorable killer comedic turn, emphasis on the killer.
As for Everybody's Fine, however, let's just say that after watching the aforementioned trailer, I was left with a question that has been irking me for quite some time. To wit -- how come the greatest actor of his generation hasn't had a part worthy of his talent since...well, just how long is it now? Top of my head, if you include Righteous Kill (which also wasted Al Pacino's time), Rocky and Bullwinkle, Meet the Parents and its hellish sequel Meet the Fockers, we're talking at least a decade or so. Still, even if Everybody's Fine turns out as cheesy and sentimental as the trailer makes it appear, I doubt it will suck as much as another appalling De Niro film I'd forgotten about until I chanced across it on cable last night.
I refer, of course, to the disastrous Men of Honor, from 2000. About which I wrote at the time:
Heroes are hard to find, so it feels churlish to carp about a film that tells the true story of sailor Carl Brashear (Cuba Gooding Jr.), who overcame systemic racism to become the U.S. Navy's first African-American deep-sea diver. On the other hand, it's a little odd that nobody involved — certainly not screenwriter Scott Marshall Smith or director George Tillman Jr. — seems to have noticed that it's also the story of a guy who literally cut off a limb to achieve a career goal. In fact, the film raises all sorts of questions it seems disinclined to answer. Like, why do doctors let Brashear amputate an only slightly injured leg? Or what keeps Brashear's sadistic, racist training officer (De Niro) and his gorgeous younger wife (Charlize Theron) together?...To be fair, the underwater sequences are both spectacular and scary; for what it's worth, this is the first film in recent memory whose hero gets run over by a submarine. But at a certain point, it's hard not to compare Gooding's character to Lemuel Pitkin, the Candide-ish protagonist of Nathaniel West's A Cool Million, whose good cheer increases exponentially as his arms and legs are hacked off. By the film's big finale, which involves Brashear walking, Frankenstein's monster-style, across a courtroom while wearing a 200-pound diving suit, the whole thing has begun to feel distinctly ridiculous..
And if you think I made any of that up, here's the trailer.
Oh well. While we wait for the pain that Everybody's Fine seems destined to inflict on us, you can order the Men of Honor DVD here. I should add, however, that if you do, I would like to meet with you, although perhaps not to shake your hand.
8 Comments
Leave a comment

Steve Simels has written about music and movies for Sound and Vision magazine (formerly Stereo Review) since the early 70s. He has also contributed to Entertainment Weekly, TV Guide and the Wall Street Journal. He’s the author of “Gender Chameleons: Androgyny in Rock n Roll” (Arbor House, 1985), and blogs at PowerPop.blogspot.com. His ambition in life is to play the Leslie Howard role in a remake of “Petrified Forest.”

Weekend Cinema Listomania (Special In the Not Too Distant Future Edition)
Great Lost Babes of the Twenties (An Occasional Series)
If It's Tuesday, It Must Be Shameless Filler (Special Storefront Hitchcock Edition)
Christmas Comes But Once a Year (A Recurring Series): Let Us Now Praise Famous Alter Kakers
Weekend Cinema Listomania: Special Coming to America Edition
What's UP Doc: The Search For a Cleverer Headline
Christmas Comes But Once a Year (A Recurring Series): The Bird is the Word
How Bad Could It Be? (An Occasional Series): Short People Got No Reason to Live
Weekend Cinema Listomania (Special They Walk Among Us! Edition)
Proof of the Existence of God (An Occasional Series)
Great Lost Films of the Nineties (An Occasional Series): Special Germans Behaving Badly Edition
Christmas Comes But Once a Year (The Return of a Recurring Series)
How Bad Could It Be? (An Occasional Series): In Praise of Older Women

Cousin Kevin said:
I think you'd have to add "The Good Shepherd" to the list of bad De Niro movies of the 21st century.
September 8, 2009 5:32 AM
bill buckner said:
Hell, "The Good Shepherd" is friggin' "Citizen Kane" compared to some of the crap he's been in. Ever seen the one where he plays the deranged baseball fan? (My theory is that he'll take any piece of **** script that comes along as long as the price is right, and then diverts the proceeds into his production complex...)
September 8, 2009 6:28 AM
four legs good said:
Well, De Niro may be a great actor, but I think that generally he just wants to work. Or maybe just get paid.
September 8, 2009 8:01 AM
billy b said:
While I can understand your consternation at the waste of DeNiro's talents, I actually enjoyed him in Rocky and Bullwinkle.
September 8, 2009 8:01 AM
Marcellina said:
What about that film about the Canadian customs house jewel heist, with Ed Norton? That wasn't bad.
September 8, 2009 8:01 AM
Steve Simels said:
Well, the usually divine Rene Russo was way miscast as Natasha. BUt if truth be told, I rather enjoyed Rocky and BUllwinkle.
September 8, 2009 8:05 AM
Apprentice to Darth Holden said:
Jeebus, do I have to set myself on fire to get you to comment?
Yes. Still waiting for a report from the fire department. Which ties into DeNiro's supporting role in Backdraft, to keep this all on topic.
September 8, 2009 9:27 AM
simelsfan said:
The scuttlebutt is that DeN likes to, among other things, take a private jet to Paris on a regular basis and demands production credits (and $$). These things cost, you know.
September 8, 2009 11:30 AM