Tuesday Video Event: The Ben Johnson Experience
posted October 13, 2009 5:14 AM
One of the more pleasant perks of this gig is occasionally encountering a film you've heard about for ages but never seen, and then discovering that it lives up to its rep. Today's exhibit A: Warner Home Video's just released DVD of John Ford's 1950 Wagonmaster.
For whatever reason -- the absence of John Wayne or Henry Fonda, perhaps? -- Wagonmaster isn't usually mentioned in the same breath as some other of Ford's westerns from more or less the same period -- Fort Apache or She Wore a Yellow Ribbon or (my personal fave) My Darling Clementine. But numerous folks have told me that it's a keeper over the years, and I knew that it was both a) Ford's favorite among his films and b) the inspiration for the 50s TV series Wagon Train (which means, ultimately, that it's the film Gene Roddenberry based Star Trek on, but that's getting altogether too meta for comfort, so let's exit the parentheses and move on).
In any case, this new DVD version, which has been released without much fanfare, reveals it to be one of Ford's best. The story is surprisingly slight. Basically, a bunch of Mormons (headed by Ward Bond, in one of his infrequent starring roles) hire a couple of shiftless cowboys to lead a wagon train to Utah where they plan to set up a spiritual community. Along the way, there are the usual problems with Indians, outlaws and an occasionally hostile Mother Nature, plus a tremendous amount of music (the soundtrack songs by The Sons of the Pioneers function as a sort of Greek chorus). That precis, however, doesn't do the picture justice, so lets simply add that it features an almost avant-garde narrative structure, gorgeous cinematography, and an amazing performance from the wonderful, and still underappreciated, cowboy actor Ben Johnson.
Here's a clip of the closing sequence to give you an idea of the film's rather startlingly poetic (and ahead of its time for the genre) mix of realism and violence. Rest assured, however, that the video quality on the new DVD is light years better than what you'll see here.
In fact, the DVD images look rather more like this promo shot, which is to say they're ravishing.
Bonuses on the disc -- worthy, for a change -- include a witty and insightful new commentary audio by Peter Bogdanovich (who of course decades later directed Johnson in his Oscar-winning turn in The Last Picture Show) along with co-star and Ford regular Harry Carey, Jr. (Ford himself shows up on the track from time to time, thanks to interviews Bogdanovich taped back in 1966).
Bottom line: You can -- and I would recommend immediately -- order Wagonmaster here.
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Steve Simels has written about music and movies for Sound and Vision magazine (formerly Stereo Review) since the early 70s. He has also contributed to Entertainment Weekly, TV Guide and the Wall Street Journal. He’s the author of “Gender Chameleons: Androgyny in Rock n Roll” (Arbor House, 1985), and blogs at PowerPop.blogspot.com. His ambition in life is to play the Leslie Howard role in a remake of “Petrified Forest.”

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Cousin Kevin said:
This looks interesting, for sure. In fact, that clip is almost Peckinpah-esque.
October 13, 2009 5:43 AM
Otis Adelbert Kline said:
Wow, that bad guy in the clip is indeed a little extreme for the period.
October 13, 2009 10:33 AM
Stunt Woman said:
Great write-up, Steve.
WAGONMANSTER is perhaps the strongest of Ford's less-well-known masterpieces. And Ben Johnson's performance is truly remarkable, in part because the dude really knew how to ride a horse. Who else could have pulled off the strangely sexy scene where he and his equine companion jump into the river to "cool off"?
Ward Bond is rock solid, as always.
All the essential Ford elements are present and, as a bonus, you get this strange musical element tossed into the mix. While there are plenty of other Ford movies where people sing, the singing is always "natural," e.g., the characters are singing as they would in "real life." Wagonmaster is the only Ford movie (out of dozens of movies) where characters sing their thoughts, as characters in a musical would. And it's Ben Johnson doing some of that singing! [note: the only true musical "number" in a Ford movie, I believe, is the song and dance routine between Dan Dailey and his girl in WHEN WILLIE COMES MARCHING HOME, but that is also a "natural" part of the storyline].
In any case, I'm very glad that a decent DVD of this movie was released and I hope that some of the other great ones from the 1950s get similar treatment (namely, THE SUN SHINES BRIGHT, RISING OF THE MOON, and GIDEON'S DAY).
And if I might be so bold as to recommend a very Ford-esque but non-Ford movie: check out JUNIOR BONNER, directed by Peckinpah and starring Steve McQueen. While resembling Ray's LUSTY MEN in certain respects (the return of an over-the-hill rodeo champ to his old stomping grounds, and the emotional transformations catalyzed thereby), it's much more Ford-esque in its low-key approach to the "plot" and the emphasis on drunken hi-jinx. I'd never seen the film before this Saturday afternoon, when I saw it on TCM. It's now my favorite Peckinpah film.
October 13, 2009 10:59 AM
Steve Simels said:
It's really an amazing piece of work, SW. And I agree with you on Junior Bonner...along with Ballad of Cable Hogue, one of my favorite atypical Peckinpahs....
October 13, 2009 11:06 AM
Stunt Woman said:
Forgot to mention that Ben Johnson also appears in JUNIOR BONNER. Small world. ;)
October 13, 2009 11:08 AM
Paul Kelly said:
It's a strong scene but not a Ford film I'm familiar with at all. I'm sold, though. I'll plunk some cash down.
October 13, 2009 1:41 PM
kurt b. said:
Not much to add except my ringing endorsement for the DVD. Like others on this list it was a movie I hadn't seen but had read about for years. And Jane Darwell's bugle blasts are a hoot!
October 13, 2009 4:57 PM