The Korean Film Council, in partnership with the Korean Cinematheque, will host the inaugural Korean Film Festival in Los Angeles. The event, which carries the theme "It's Alive: Korean Film Genre Hybrids and Hollywood Remakes," will kick off Nov. 15 with the L.A. premiere of Kim Tai-sik's road movie "Driving With My Wife's Lover."

Closing the festival Nov. 17 will be the L.A. premiere of Han Jae-rim's gangster film "A Show Must Go On." Both helmers will be in attendance with their films.

Sponsored by the Korea Times and The Hollywood Reporter, KOFFLA will take place at the Fairfax 3 Theaters and screen more than 15 films.

The Korean Council was established in 1976 by South Korea's Ministry of Culture and Tourism to promote the country's film industry.

By Barbara Johnson

Korean FF -- True to Its Theme

Genre bending and Hollywood remakes

After yesterday's opening panel and reception, KOFFLA is concentrating mainly on film screenings. Since this is their first year, they're really hoping to make this festival a success, but, sadly, turnout was on the sparse side at this afternoon's films. The films themselves, however, were well worth watching. I caught the comedy Barking Dogs Never Bite, an older film (2000) which stars Bae Du-Na (Sympathy for Mr. Vengeance, The Host), and the action/noir A Bittersweet Life (2005), which brought international attention to its star Lee Byung-Hun.


True to KOFFLA's theme, Barking Dogs Never Bite is a genre-bending film. In fact, I hesitated before labeling it a comedy, because the comedic elements aren't really predominant. It might be closer to straight drama, although the tone is a little too light for that. But whatever it is, at heart it's a sweet story about a college professor who learns a lesson. However, it has a problem, or at least what I see as a problem for a potential Hollywood remake (the second part of KOFFLA's theme).


There are some cultural elements in this film that might not translate completely into a Hollywood film. And they're so integral to the story that I'm afraid a remake that tried to cut them out might end up not having much in common with the original film.


On the other hand, I think A Bittersweet Life would be an awesome candidate for a remake and wouldn't require too many changes, although I do have to say I loved this version so much that I'd be afraid I might find a remake disappointing.


A Bittersweet Life is a dark film about a mob enforcer, but it takes you on an emotional journey with him, and the actor plays this role in a way that really does connect you to this man (his rugged good looks don't hurt). The story is there as well, of course. I could see this becoming a remake in the vein of The Departed, which is about the characters as much as the story.

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