The Korean Film Council, in partnership with the Korean Cinematheque, will host the inaugural Korean Film Festival in Los Angeles. The event, which carries the theme "It's Alive: Korean Film Genre Hybrids and Hollywood Remakes," will kick off Nov. 15 with the L.A. premiere of Kim Tai-sik's road movie "Driving With My Wife's Lover."

Closing the festival Nov. 17 will be the L.A. premiere of Han Jae-rim's gangster film "A Show Must Go On." Both helmers will be in attendance with their films.

Sponsored by the Korea Times and The Hollywood Reporter, KOFFLA will take place at the Fairfax 3 Theaters and screen more than 15 films.

The Korean Council was established in 1976 by South Korea's Ministry of Culture and Tourism to promote the country's film industry.

By Barbara Johnson

KOFFLA Goes Gangster

Korean filmmakers strut their stuff

If there's one thing Korean cinema is known for besides horror, it's gangster films, and I caught two of them on closing day. The first was My Wife Is a Gangster, which is essentially a classic in the Korean gangster genre. I've never managed to see it before, so here was my chance. But because my expectations were high, I was worried I would be disappointed.


I wasn't. The movie wowed me. It's one laugh-out-loud moment after another, although true to the genre-bending theme of KOFFLA, you get some pretty tough stuff near the end. I won't give it away, but the laughs stop for a while.


I think I heard somewhere that Hollywood has its eye on this movie or maybe has already acquired the remake rights. If this turned out to be a hit on American screens, it could open the door for more female-driven comedies from American filmmakers. Plus I'm sure there are plenty of actresses out there who would love to play the kickass role of top-level female gangster trying to navigate the dating world.


After Gangster it was time for KOFFLA's closing film, The Show Must Go On, starring Song Kang-ho of The Host fame. Although director Han Jae-rim had planned to attend the screening, he wasn't able to make it, so we weren't able to hear his commentary on his film. The film, released in April, stars Song as a mid-level gangster trying to keep his life together at work while holding his family together at home. I loved the opening sequence where an exhausted Song falls asleep at a red light, symbolizing that he's just got too much on his plate.


I'm not sure if remake rights are up for grabs yet or not, but I can see why KOFFLA wanted to screen it for American audiences here in L.A. It's a taut new flick that shows just exactly what Korean cinema is capable of.


After the film, KOFFLA concluded with a final party, and then it was all over.

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