From November 22nd to December 1st 2007, the 14th Rencontres Internationales will create a space of discovery and reflection between new cinema and contemporary art: at theCentre Pompidou, the Jeu de Paume national museum, the Palais de Tokyo, and other key locations.

This year, several foreign cultural institutions take part to the Rencontres Internationales with a specific programme related to the different themes and stakes of the manifestation: the Canadian Cultural Centre, the Goethe Institute, the Cervantes Institute, the Swedish Cultural Institute.

With 150 artists and filmmakers from all over the world, this exceptional edition will propose a programme which is being presented for the first time internationally - film, video, installation, net art, concerts - and which includes many film premieres, a video programme, an exhibition and multimedia concerts. Furthermore, the entire programme can be viewed and reviewed on request in the multimedia library.

This year's programme, which is particularly rich and dense, has been selected out of 6 200 proposals as well as by invitations made to certain artists and filmmakers. This program is the result of an elaborate international search of works of art: 200 works from Germany, France, Spain, and 60 other countries, bringing together internationally-known artists and filmmakers and young artists and filmmakers whose works will be presented for the first time in Paris.

By Emily Monaco

An American in Paree

The pros have it

I love living in a country where gastronomy is more important than anything else. I love my two-hour lunch breaks. I love the way French people react when I regale my stories of living in France as an American. I love French humor… even the sarcasm that I’m fairly sure is mocking me. I love walking out my front door and seeing the Eiffel Tower, laughing just a little bit, because I live in Paris.


What I don’t love? The fact that in France, strikes are organized even better than the daily three-course lunches. In France, where bureaucracy rules all, the métro will go on strike; there is nothing you can do to stop it. You can either be annoyed and grumble about it, or you can find it amusing that the French can organize their grèves better than they organize their actual work, laugh, and continue walking towards the Champs Elysées.


Lucky for the Rencontres Internationales film festival, the transportation strike finally ended early this morning, and so even though the opening ceremonies happened last night when trains were still running only about every twenty to thirty minutes (or sometimes not at all), today was back to normal, and I was able to head over to the first arrondissement, right by the Louvre, where the press office was located.


After getting my press pass, I was invited to head down to a room that had been set up with computers so that I could watch some of the films on DVD. Almost all of the films in the festival are shorter than an hour, so the screenings are organized by theme.


I looked through the program and selected a few shorts to watch, but after just a little while, I realized how strange it was to be sitting in what felt like a computer lab. I remember reading a quote once, I don’t remember from whom, that said something akin to: movies are only worth watching in the way they were intended to be watched… in the cinema.


I would have the opportunity to see all of these films in a cinema throughout the week… so why was I sitting in the basement of the Laboratoire watching movies on a small screen with the lights on? I looked through the program and made some selections for the next day, and then I walked into the cool Paris night.


The métro is running again, so I don’t even mind heading out to the fourteenth arrondissement to see my selection for tomorrow… in fact, I can’t wait.

2 Comments

bruce said:

your writing style is free and makes the reader want to travel along with you. It's a comfort knowing it's entirely grammatically correct!

November 25, 2007 11:48 AM

Anonymous said:

I wonder how the directors and producers feel about the viewing of their films in a lab atmosphere. People used to dress for the movies(also for air travel and the department store.) I can't help but wonder if we were not better off. Entering the cinema, taking a seat,the lights descending and the anticipation all make a great film, greater.

November 25, 2007 1:39 PM

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