Precious: Based on the Novel "Push" by Sapphire
posted November 3, 2009 5:01 PM
Strong performances make for essential viewing.
Some films arrive at Sundance expecting to be great, and some the festival thrusts greatness upon. Foremost of these in 2009 was Precious: Based on the Novel "Push" By Sapphire, director Lee Daniels’ harrowing cross between an inspirational teacher genre exercise, a Ken Russell fantasy film of the ’70s and the child abuse melodrama Hound Dog. Overloaded a bit by Daniels’ laudable visual ambition and distinguished by an unflinching view of ghetto life that has nothing to do with standard Hollywood liberal postures toward deprivation and/or blackness, Precious is also (and foremost) a stunning acting showcase, not just for newcomer Gabourey Sidibe, who absolutely soars as the abused high school student Precious Jones, but also for comedian Mo’Nique in a stunning tour de force as Precious’ abusive mom.
It’s the ’80s, and Precious is a study in unexplored human potential. Morbidly overweight and functionally illiterate, she leads a vast and poetic internal life via a fantasy reflex that transports her to a shiny world of klieg lights and thrust stages where she can pretend to be beloved, talented and a nascent superstar. Precious uses these fantasies to insulate herself from the harsh realities of her world: humiliating gangs, random street violence and an abusive father who has been sexually assaulting her since she was three, with two resultant pregnancies. With her father largely absent, the gorgon in Precious’ daily life is her mother, a bitter recluse living on Welfare who routinely beats Precious out of warped romantic jealousy. A series of school teachers and social workers help Precious to move past her sad state, inspiring her to write out her own story as a way of changing her life.
Daniels has made a remarkable series of bold choices, all of which seek to depict Precious honestly and without the usual self-congratulatory showbiz cant. At times, Precious fantasizes without guilt about being white, so much so that it’s a white model’s features she sees in her own bedroom mirror. Precious is also not above petty thievery, stealing her own file from a social worker’s office and a bucket of chicken from a fast food store. In a sense, Precious is a more ambivalent and less idealized version of the little girl from Doug Atchison’s excellent (but far lighter) Akeelah and the Bee; someone trying to get over an environment that’s toxic to her aspirations and her dreams.
Despite her almost flamboyant largeness (which Precious sees as a natural reaction to Precious’ horrible home-life) and the sometimes melodramatic twists her story takes, Sidibe’s Precious is so startlingly truthful and so subtle she seems to have stepped out of a documentary to make her appearance here. Totally believable performances are also turned in by both Lenny Kravitz (as a male nurse) and Mariah Carey (as a tough but tender social worker), with Carey in particular disappearing so completely into her drab but sassy workaday messiah that the watcher’s mind keeps saying: “That can’t be her!”
But the almost certain 2010 Oscar nom for all of this (predictable even today, on the day the 2009 noms were just announced) belongs to Mo’Nique, whose alternately horrifying and devastating performance humanizes a monster. The last ten minutes of Precious are devoted to a revelatory confrontation between mother and daughter, and Mo’Nique’s bravura transformation, from opportunistic schemer to shattered woman unable to face an unlivable truth, is so unerring it literally makes the viewer gasp. Daniels, who produced Monsters Ball and shows a similar belief in giving his actors room to explore, has captured a performance here that can stand with the best ever committed to film. It simply should not be missed.
Distributor: Lionsgate
Cast: Gabourey 'Gabby' Sidibe, Mo'Nique, Paula Patton, Sherri Shepherd and Lenny Kravitz
Director: Lee Daniels
Screenwriter: Damien Paul
Producers: Lisa Cortes and Tom Heller
Genre: Drama
Rating: R for child abuse including sexual assault, and pervasive language.
Running time: 105 min.
Release date: November 6 (limited)
Originally posted: January 22, 2009
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Post from blog - suckmyprettytoes said:
Lee Daniel's Film Precious is uncomfortable in the raw, injustice of this young girl's life and all she must endure. The underlying premise of the film does speak to the prejudice in all of us, but the story is her's and her's alone- Clareece "Precious" Jones (Gabourey 'Gabby' Sidibe). She is a dark-skinned, hugely overweight, 16 year-old, illiterate girl, who is able to dream of having a "light skinned" boyfriend and being totally fabulous, despite her life of being repeatedly raped by her father, and abused physically and mentally, but her jealous mother (Mo'Nique).
Both Gabby and Mo' Nique have turned in Oscar award winning performances, truly.
In the past, I've wanted to support Daniels' work, Philly native and all, but I've always felt put off by his choice of material, too sad and too intense for me. And I was right, this story based on the novel "Push" by Sapphire will move the most hardened heart to tears.
However, there is triumph, there is hope, there are good cinematic touches that are effective in story telling, but also allow you to remember it is a movie, not just a voyeuristic view of this unfortunate girl's life.
Rating: It deserves a Pretty Big Toe, but because it's not the kind of film I find pleasing, I have to give it a Pretty Middle Toe
Lee Daniels was in attendance for a Q & A after the film. Here's some excerpts from his interview with Festival Artistic Director, Harlan Jacobson:
LD: "From Egypt to Cairo to Miro to Switzerland- I'm home! I love you Philadelphia, I'm so happy, so honored, so humbled, to be home showing this film to you all this evening at this Festival. I made this movie with the spirit of Philadelphia in mind; thinking that Philadelphian's black and white would be able to understand this story.
Philadelphian's, I found that when I was at Sundance and Berlin and around the world with it, that it was not just a story about black Philadelphians or Philadelphians, but a universal story, so when you are watching this, know that we put a lot of soul and a lot of heart into it and I made it with you all in mind."
HJ: "So many of your characters, Monster's Ball, The Woodsman, Shadowboxer are characters that really have to fight for themselves, that's a link through many of your films, why do you think that is?"
LD: " Hmm, I think that I am a fighter, I left Philadelphia to go to Hollywood with a dream, and $7 in my pocket. I think that the streets of Philadelphia live in me and in my work. I think that Philadelphian's are tough. I see enough movies with a perfect ending, I can go to the studios to see that, I like to see stuff that make people think".
HJ: "Did you know growing up that you could be a director in Hollywood. Did you dream like that?"
LD: " Yes, my mother taught me to dream. I have a Godfather here who also taught me to dream, he was in dance class and took me to dance class. Yes, I was encouraged to dream."
HJ: "And were they your champions?"
LD: "Yes."
HJ: "When you had to take this dream and get it financed, did you have to fight to convince people that this could be a (sorry couldn't hear this word on my recorder) picture?"
LD: "I believe this film has been blessed with Angels. This was the easiest film ever to get financed. I knew not to go to the studios with it. I'd learned from Monsters Ball that they thought I was crazy; a movie about a fat boy dying and a white man, black woman, impossible to get that financed through the studios. Same thing with Woodsman. So I knew better than to go to a studio and say do you want to do a movie about a 355lb black girl. But I had grown and my reputation had grown, in a such away that these people (Smokewood Entertainment Group, Garry Magness and Sarah Siegel-Magness) just said "what do you want to do Lee?" And I said I want to do this movie and they just gave it to me, so they were my angels.
And then that Sapphire, whose work is unbelievable, [a lot of audience applause and hooting and hollering] it's mind boggling that she gave it to me, she didn't have to give me this book, she didn't want anyone to have this book. She a true auteur and a scholar in the biggest of ways. She thought that if someone made this into a movie, it could "f-up" her book. And she trusted me with it. And I'm honored.
The other angel was that we didn't go to DVD. I thought we were going to go straight to DVD and we didn't. I got accepted to Sundance and I won. (Distributors: Lionsgate) And as I'm winning, Oprah Winfrey is calling me. I'm walking up to the stage to accept my award and my phone rings and it's unknown, and I answer and she says "It's Oprah." Huh? "It's Oprah Winfrey". And I say, "Hi, I can't talk right now cause I'm getting my award now at Sundance. And she says, "Why are you picking up the phone?" But the only person that would pick up a phone is an independent filmmaker, cause and unknown number means you've got money or your famous, so that's why I picked up the phone. And so she called me back and that's another angel. She said she would do anything she could to support the film and that has really been a God send."
HJ: Music is such an incredible part of this film. It's also part of the fantasy life, the life line of Precious. What did you ask from your music guy Mario Grigorov to provide you to really help sell that message that there's a heart beating inside this girl that was going to carry her forward?"
LD: "Right. The music is again, Philadelphia inspired, the sound of Philadelphia. Gamble and Huff plays an import role in the movie. Labelle, vintage Labelle brings us in and takes us out. We brought them together after 25 years. Lenny Kravitz, I talked him into producing and bringing the girls back after all those years to sing a song together called system, about the welfare system."
Audience Q: "Was this Gaby's first experience acting? And does she have any other projects that she intends to do?"
LD: "Yes, that was her first job. 400 girls later. Literally, 400 girls I interviewed and Gaby auditioned for our genius casting director, Billy Hopkins and uh, and so she came in, and I saw the tape and when she came in she started talking like a white girl. She don't talk like Precious. The girls that I had auditioned where girls that were Precious. And I hired her because if I had hired any of those other girls, I would have been exploiting them. They would not have been acting. And yes, Gaby does have another job, she plays a bad girl in high school, beating up other girls."
Audience Q: "I have a question about writing a first time screenplay about a personal story. Do you have any advice?"
LD: "My advice is to reach me on Facebook".
Applause and end.
November 3, 2009 4:35 PM
james Guilford said:
After seeing an advance screening of Daniels' "Precious" two weeks ago, I am still moved. By far, the most outstanding performance is Mo’Nique as Mary, Precious’ mother. From her utterance of her first insult to Precious, the audience knows that comedian Mo’Nique has been inhabited by a actress of Meryl Streep caliber. Monique’s delivery of Mary is so thoroughly convincing that it is an injustice to call her execution a performance. I'd warn viewer that the movie is difficult to finish. On several occasions, I considered walking out. The cinematic tragedy of Precious' life both beautiful and suffocating.
- James Guilford
November 5, 2009 6:30 AM
V. Smith of Redding Ca said:
weather the movie was raw and actual events that really happened in colored people and other races. thats the kind of things that most people who never had to deal with but just been given chances cause they were white or in certain life styles that people will accept you. Being from the gheeto doesnt give anyone the right t act certain ways but makes that young girl or boy much stronger then a average youth child who doesnt live nothing near that stuations runs deep. Racial is still around and ettects our youth and pushed on to them as if it is ok but it is not. I see it so much that i didnt epect this. The movie," Percious " didnt play anywhere in ca or wa states WHY? As i researched theathers well to not my suprise it was playing in Georgia at almost all the theaters there in ONE town. As for here in California and Washington NOTHING.You see how everyone else seems pretend things like that dont happen unless it white family then seriers are made from it like My teenage life. Like if it was such a hardship well she at least had home and family with a things that were a value to them. Most of the time ist not every like that trying to figure out where to sleep and the next meals if there was ggoing to be any. They tell the story different when its white family verses a real life teenager of color or other then white. I am mom of three and small business owner,coach,sub-teacher. Having all those tilies doesnt make a better person but someone who trys to make those changes and give a fare chance to those who dont get it, maybe even hope. For logest time I sat on the side lines and watched. I saw teachers pass students to next grade without even knowing enlish or coaches play other kids who didnt have skills Given playing time who didnt even earn it wile the others watched with a pasion on their face wanting that same chance. You tell me different or please show me different. This movie was something that I want to watch with my two daughters one of 17 and the 15 years of age showing them the realities of how life is for our culture. How one person can proivde love and hope beyound what the eyes see. So my one only quetions is why didnt play at more states other then Georgia or black populations?
November 7, 2009 2:04 PM
Tina said:
This movie was heart wrenching and difficult to watch yet I couldn't tear myself away form it just like the book. I feel it is an injustice to only allow it to debut in limited release! I and the entire audience cried,laughed, cheered and cried some more. This movie was an experience that allows one to see how fortunate their own life is.
November 8, 2009 6:37 PM
Tina of Bellflower, Ca said:
This movie was heart wrenching and difficult to watch yet I couldn't tear myself away form it just like the book. I feel it is an injustice to only allow it to debut in limited release! I and the entire audience cried,laughed, cheered and cried some more. This movie was an experience that allows one to see how fortunate their own life is.
November 8, 2009 6:39 PM
Melissa said:
I read the book many many years ago and once I found out that it would be made into a movie i was happy and worried. Happy because the story would be told on the big screen and worried that it wouldn't come across as raw and amazing as it did on paper. I must say that my worried were pointless. Lee Daniels did an amazing job with this movie. The cinematography makes u think that you are right there with them. Gabby, the newcomer...all I can say is WOW. Her speech, mannerisms, facial expression , etc. is just how I imagined Precious to be when I read the book. Her acting ability is far beyond one we should describe as a newcomer. God bless her for bringing such a sad, troubled, loving and inspirational character to life.
I wondered how Mo'Nique would pull this off. With her contagious laughter and spirit I wasn't prepared for her in the role of Mary Jones, but all I can say is BRAVO. From the 1st word that she uttered, I knew that she had this role and had made it her own. What strength it must have taken for her to go there- but she DID IT! Mariah was as I have never seen her before and did a good job. And although I was upset initially when I found out that Paula Patton was playing the role of Blue Rain (who in the book was darker skinned w/ locks)Paula Patton did and amazing job and brought her own element to the character.
I would say to anyone to go and see it however, remember that movies don't always have happy endings or beginnings and art often times imitates life
November 9, 2009 8:39 AM
Anonymous said:
I'M MAD THIS MOVIE DIDN'T COME TO VIRGINIA CAUSE ME AND MY FRIENDS WERE PLANING TO SEE THIS MOVIE AND IT WON'T HERE
November 11, 2009 7:33 AM
SHEVON said:
I AM UPSET THAT THIS MOVIE DID NOT MAKE IT TO SAVANNAH GA
November 11, 2009 2:52 PM
pamela moore said:
why is the movie being stonewalled by showing in very limited theaters, althought rated at the third top movie this week? also, movie reviews are mostly A's without any critic reviews. I definitely smell industry bigot rats and bidding war haters.
November 17, 2009 12:11 PM